Combining audiovisual mappings for 3D musical interaction
HACHET, Martin
Laboratoire Bordelais de Recherche en Informatique [LaBRI]
Visualization and manipulation of complex data on wireless mobile devices [IPARLA ]
Laboratoire Bordelais de Recherche en Informatique [LaBRI]
Visualization and manipulation of complex data on wireless mobile devices [IPARLA ]
HACHET, Martin
Laboratoire Bordelais de Recherche en Informatique [LaBRI]
Visualization and manipulation of complex data on wireless mobile devices [IPARLA ]
< Réduire
Laboratoire Bordelais de Recherche en Informatique [LaBRI]
Visualization and manipulation of complex data on wireless mobile devices [IPARLA ]
Langue
en
Communication dans un congrès
Ce document a été publié dans
Proceedings of International Computer Music Conference, Proceedings of International Computer Music Conference, International Computer Music Conference, 2010-06-01, New york. 2010-06-01p. p 100
Résumé en anglais
3D environments provide new possibilities for musical interaction. They allow musicians to manipulate and visualize large sets of sound processes associated to 3D objects by connecting graphical parameters to sound parameters. ...Lire la suite >
3D environments provide new possibilities for musical interaction. They allow musicians to manipulate and visualize large sets of sound processes associated to 3D objects by connecting graphical parameters to sound parameters. Several of these audiovisual mappings can be combined on a single 3D object. However, this brings up the issues of the choice of these mappings and of their combinations. We conducted a user study on sixteen musicians to evaluate audiovisual mappings and their combinations in the context of 3D musical interaction. This user study is composed of three experiments. The first experiment investigates subjects preferences for mappings between four perceptual sound parameters (amplitude, pitch, spectral centroid and noisiness) and ten graphical parameters, some of them specific to 3D environments. The second experiment focuses on efficiency of single mappings in an audiovisual identification task. The results show almost no significant differences, but some tendencies, which may indicate that the choice of mappings scales is more important than the choice of the mappings themselves. The third experiment investigates the efficiency of mappings combinations. The results indicate no significant differences, which suggest that it may be possible to combine up to four audiovisual mappings on a single graphical object without any performance loss for musicians, if they do not disrupt each other.< Réduire
Mots clés en anglais
Audiovisual mappings
combinations
visualization
3D environments
graphical parameters
sound parameters
Origine
Importé de halUnités de recherche