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On the experience of vulnerability in British drama today–from Sarah Kane's Blasted (1995) to Polly Stenham's That Face (2007)
Language
en
Article de revue
This item was published in
Coup de théâtre. 2015 n° 29, p. 95-106
RADAC (Recherche sur les Arts Dramatiques Anglophones Contemporains)
Origin
Hal imported