CLAY, Alexis; LOMBARDO, Jean-Christophe; COUTURE, Nadine; CONAN, Julien

doi:10.4018/978-1-4666-4490-8.ch038

Ver/Abrir

0ef3d9c40dae0799c2f3a7753be7d477ca5a.pdf (284.2Kb)

Metadatos

Mostrar el registro completo del ítem

Licencia de uso del documento

CLAY, Alexis
ESTIA INSTITUTE OF TECHNOLOGY

LOMBARDO, Jean-Christophe

COUTURE, Nadine

ESTIA INSTITUTE OF TECHNOLOGY
Laboratoire Bordelais de Recherche en Informatique [LaBRI]

Idioma

Chapitre d'ouvrage

Este ítem está publicado en

Advanced Research and Trends in New Technologies, Software, Human-Computer Interaction, and Communicability. 2014p. 423-430

Hershey, PA: Information Science Reference

Resumen en inglés

The rise of gestural interaction led artists to produce shows or installations based on this paradigm. The authors present the first stages of the “Sculpture Numérique” (Virtual Sculpture) project. This project was born from a collaboration with dancers. Its goal is to propose bi-manual interactions in a large augmented space, giving dancers the possibility to generate and manipulate virtual elements on stage using their hands. The first set of interactions presented in this chapter is 3D painting, where the user can generate 3D virtual matter from his hands. The movement of the hand defines a stroke, and shape is controlled by the shape of the hand. Changing the shape and orientation of the hand allows switching between three interaction modes to produce volumes, surfaces, or curves in space. The authors explore the applicative case of dance, with the goal of producing a plastic creation from choreography.< Leer menos

Palabras clave en inglés

Virtual Sculpture

CAVE

surface generation

digital arts

virtual reality

Arts and Humanities -Arts

fine and performing

Information interfaces and presentation -User Interface

Human Factors

Design