All’origine della comunicazione musicale in Etruria
hal.structure.identifier | Celtes et Etrusques : identités, pouvoirs, échanges | |
hal.structure.identifier | Archéologie et Philologie d'Orient et d'Occident [AOROC] | |
hal.structure.identifier | Ausonius-Institut de recherche sur l'Antiquité et le Moyen âge | |
dc.contributor.author | MORANDINI, Flavia | |
dc.contributor.editor | Sargon | |
dc.date.issued | 2011 | |
dc.identifier.isbn | 9788895672199 | |
dc.description.abstractEn | In Etruria during the orientalizing the typological range of musical instruments is already articulated. Beside the wind and string instruments, there are percussion instruments which constitute the first expressive mean of Etruscan musical communication. Their presence in the votive and domestic contexts denotes a multiplicity of values connected to the ritual sphere. | |
dc.language.iso | it | |
dc.publisher.location | Padova | |
dc.source.title | Comunicazione e linguaggi. Università Ca' Foscari di Venezia. Contributi della Scuola di Dottorato in Scienze Umanistiche. Indirizzo in Storia antica e Archeologia | |
dc.subject.en | music | |
dc.subject.en | Orientalizing | |
dc.subject.en | percussions | |
dc.subject.en | instruments | |
dc.subject.en | ritual sphere | |
dc.subject.en | bronze | |
dc.type | Chapitre d'ouvrage | |
dc.subject.hal | Sciences de l'Homme et Société/Archéologie et Préhistoire | |
bordeaux.page | 135-158 | |
hal.identifier | hal-01826418 | |
hal.version | 1 | |
dc.title.it | All’origine della comunicazione musicale in Etruria | |
hal.origin.link | https://hal.archives-ouvertes.fr//hal-01826418v1 | |
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