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“Cadeira”, by José Saramago: An Example of Revolutionary Writing and Perspective
| hal.structure.identifier | AMERIBER : Amérique latine, Pays ibériques [AMERIBER] | |
| dc.contributor.author | AMORIM, Silvia | |
| dc.date | 2025 | |
| dc.date.issued | 2025 | |
| dc.identifier.issn | 1803-7399 | |
| dc.description.abstractEn | The short story ‘Cadeira’, published in the collection Objecto Quase [The Lives of Things] (1978), is part ofa series of texts which, as well as illustrating the post-25 April break in José Saramago’s career, evoke thechallenges of the transition from dictatorship to democracy, drawing attention to this key moment in thecountry’s history. The collapse of Salazar’s dictatorship is evoked through unconventional narrative andstylistic strategies, allowing us to measure the impact of the Revolution on the work and to observe the revolution taking place in the writing itself. One of the most significant aspects of the subversion introduced by the text lies in the relearning of a critical, subversive and lucid vision as a bastion against the reduction of the human being to a mere object. | |
| dc.language.iso | pt | |
| dc.publisher | Masarykova univerzita, Filozofická fakulta, Brno | |
| dc.subject.en | José Saramago | |
| dc.subject.en | quasi-object | |
| dc.title.en | “Cadeira”, by José Saramago: An Example of Revolutionary Writing and Perspective | |
| dc.type | Article de revue | |
| dc.identifier.doi | 10.5817/ERB2025-1-4 | |
| dc.subject.hal | Sciences de l'Homme et Société | |
| dc.subject.hal | Sciences de l'Homme et Société/Littératures | |
| bordeaux.journal | Études romanes de Brno | |
| bordeaux.page | 40-52 | |
| bordeaux.volume | 1 | |
| bordeaux.issue | 46 | |
| bordeaux.peerReviewed | oui | |
| hal.identifier | hal-05124311 | |
| hal.version | 1 | |
| hal.popular | non | |
| hal.audience | Internationale | |
| dc.description.abstractPt | O conto “Cadeira”, publicado na coletânea Objecto Quase (1978), insere-se num conjunto de textos que,além de ilustrarem a rutura que intervém no pós-25 de Abril, na carreira de José Saramago, evocam osdesafios da transição da ditadura para a democracia, chamando a atenção para este momento-chave da história do país. O desmoronamento da ditadura salazarista é nele evocado através de estratégias narrativas e estilísticas nada convencionais, permitindo medir o impacto da Revolução sobre a obra e observar a revolução que se dá na própria escrita. Um dos aspetos mais relevantes da subversão introduzida pelo texto reside na reaprendizagem de uma visão crítica, subversiva e lúcida enquanto baluarte contra a redução do ser humano a mero objeto. | |
| dc.subject.pt | “Cadeira” | |
| dc.subject.pt | 25 de Abril | |
| dc.subject.pt | olhar | |
| dc.title.pt | “Cadeira”, de José Saramago: um exemplo de escrita e perspetiva revolucionárias | |
| hal.origin.link | https://hal.archives-ouvertes.fr//hal-05124311v1 | |
| bordeaux.COinS | ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=%C3%89tudes%20romanes%20de%20Brno&rft.date=2025&rft.volume=1&rft.issue=46&rft.spage=40-52&rft.epage=40-52&rft.eissn=1803-7399&rft.issn=1803-7399&rft.au=AMORIM,%20Silvia&rft.genre=article |
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