LE GRAS, Gwénaëlle

doi:10.1007/978-3-031-39195-8_8

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LE GRAS, Gwénaëlle
Université Bordeaux Montaigne [UBM]
ARTES [ARTES]

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Chapitre d'ouvrage

Ce document a été publié dans

Is it French? Popular Postnational Screen Fiction from France, Is it French? Popular Postnational Screen Fiction from France. 2024-01-31p. 173-189

Palgrave Macmillan

Résumé en anglais

By examining the recent career steps of Charlotte Rampling, this chapter questions the evolution of her real and imaginary identity fluidity, which is based on a variable articulation between constructions of the national, the international and the global. Although the actress’s spoken accent maintains the trace of her English origins, three facts blur the sharpness of this identity. Rampling has systematically dubbed herself in English as well as in French, creating an intercultural fluidity; she has revived and intensified her ability to express the interiority of her characters through the universal language of silence; and finally her characters are alternately English, integrated into a French collective while her own identity remains vague; or, in French co-productions that mark a new trend within her filmography, postnationally indexed and inflected.< Réduire

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Charlotte Rampling

Dubbing

Identity

Fluidity

Stardom

Postnational

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Charlotte Rampling Made in France: From a National to a Postnational Identity

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