Du roman policier au territoire touristique. Ystad, Stockholm: enquête sur les phénomènes Wallander et Millénium

Abstract

Stockholm and Ystad seem to have paradoxically taken advantage of Stieg Larsson's Millennium Trilogy and Henning Mankell's Wallander to attract tourists. How can crime fiction, which by nature is critical, become a tool for tourist marketing? The tourist construction is based pays close attention to the fictional writing of space; each of the two corpus displaying a highly distinct version. We thus need to question the weight of actors' strategies in the evolution of identity of places of crime.