Réminiscences nostalgiques : la lumière et le Rien dans les marines de Claude Lorrain
BARTHA-KOVÁCS, Katalin
University of Szeged [Szeged]
PLURIELLES Langues, littératures, civilisation (UR 24142) [Plurielles]
University of Szeged [Szeged]
PLURIELLES Langues, littératures, civilisation (UR 24142) [Plurielles]
BARTHA-KOVÁCS, Katalin
University of Szeged [Szeged]
PLURIELLES Langues, littératures, civilisation (UR 24142) [Plurielles]
< Réduire
University of Szeged [Szeged]
PLURIELLES Langues, littératures, civilisation (UR 24142) [Plurielles]
Langue
fr
Article de revue
Ce document a été publié dans
Svet Literatury. 2020p. 13-22
Charles University Prague
Résumé en anglais
The article focuses on the analysis of notions of reminiscence and nostalgia through the example of Claude Lorrain’s marine paintings. Unlike the Arcadian landscapes of his contemporary Nicolas Poussin, these often do not ...Lire la suite >
The article focuses on the analysis of notions of reminiscence and nostalgia through the example of Claude Lorrain’s marine paintings. Unlike the Arcadian landscapes of his contemporary Nicolas Poussin, these often do not evoke concrete myths, but inspire less obvious reminiscences in the viewer. Lorrain’s paintings can be conceived therefore as allegories of nostalgia, a category that the article approaches with the help of that of Nothing. It aims to show that it is through the particular light effects that Lorrain’s landscapes and marine paintings suggest a sense of timeless and nostalgic reminiscences to the viewer.< Réduire
Mots clés
Claude Lorrain
marine
lumière
réminiscence
Rien
Mots clés en anglais
Claude Lorrain
marine painting
light
reminiscence
Nothing
Origine
Importé de halUnités de recherche