Virtual stage sets in live performing arts (from the spectator to the spect-actor)
| hal.structure.identifier | Université Paris 8 Vincennes-Saint-Denis [UP8] | |
| dc.contributor.author | JDID, Farah | |
| hal.structure.identifier | Laboratoire Angevin de Mécanique, Procédés et InnovAtion [LAMPA] | |
| dc.contributor.author | RICHIR, Simon | |
| hal.structure.identifier | Université Paris 8 Vincennes-Saint-Denis [UP8] | |
| dc.contributor.author | LIORET, Alain | |
| dc.date.accessioned | 2021-05-14T09:55:32Z | |
| dc.date.available | 2021-05-14T09:55:32Z | |
| dc.date.issued | 2013 | |
| dc.date.conference | 2013-03-20 | |
| dc.identifier.uri | https://oskar-bordeaux.fr/handle/20.500.12278/77705 | |
| dc.description | This paper studies the added value of VR to the art of stage setting through examples and experiments. It will also analyze the link between the audience and digital sets (VR, AR), from an aesthetic point of view as well as a practical one. It is important for us tosucceed in creating a theatrical set which favors the spectator's presence for him to become a live performing spectator, and thus have a stronger link with the setting in the short as well as long run. | |
| dc.description.abstractEn | This paper studies the added value of VR to the art of stage setting through examples and experiments. It will also analyze the link between the audience and digital sets (VR, AR), from an aesthetic point of view as well as a practical one. It is important for us tosucceed in creating a theatrical set which favors the spectator's presence for him to become a live performing spectator, and thus have a stronger link with the setting in the short as well as long run. | |
| dc.language.iso | en | |
| dc.publisher | ACM Press | |
| dc.source.title | Proceedings of the Virtual Reality International Conference: Laval Virtual | |
| dc.subject.en | Virtual stage setting | |
| dc.subject.en | VR | |
| dc.subject.en | AR | |
| dc.subject.en | live performing Art | |
| dc.subject.en | presence | |
| dc.title.en | Virtual stage sets in live performing arts (from the spectator to the spect-actor) | |
| dc.type | Communication dans un congrès avec actes | |
| dc.identifier.doi | 10.1145/2466816.2466840 | |
| dc.subject.hal | Sciences de l'Homme et Société/Sciences de l'information et de la communication | |
| bordeaux.page | 6. p. | |
| bordeaux.hal.laboratories | Institut de Mécanique et d’Ingénierie de Bordeaux (I2M) - UMR 5295 | * |
| bordeaux.institution | Université de Bordeaux | |
| bordeaux.institution | Bordeaux INP | |
| bordeaux.institution | CNRS | |
| bordeaux.institution | INRAE | |
| bordeaux.institution | Arts et Métiers | |
| bordeaux.country | FR | |
| bordeaux.title.proceeding | Virtual Reality International Conference (VRIC) | |
| bordeaux.conference.city | Laval | |
| bordeaux.peerReviewed | oui | |
| hal.identifier | hal-01206656 | |
| hal.version | 1 | |
| hal.origin.link | https://hal.archives-ouvertes.fr//hal-01206656v1 | |
| bordeaux.COinS | ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.btitle=Proceedings%20of%20the%20Virtual%20Reality%20International%20Conference:%20Laval%20Virtual&rft.date=2013&rft.spage=6.%20p.&rft.epage=6.%20p.&rft.au=JDID,%20Farah&RICHIR,%20Simon&LIORET,%20Alain&rft.genre=proceeding |
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