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hal.structure.identifierARTES [ARTES]
dc.contributor.authorBEAUCÉ, Pauline
dc.date.issued2021
dc.identifier.issn2065-8087
dc.description.abstractEnThis article investigates the aesthetic and scenic aspects of the Théâtre des Beaujolais at theend of the 18th century, one of the four Parisian theaters for children actors during that period. While thesystem of privileges constrains theatrical activity in France, this theater proposes to innovate by relyingon its architectural specificities: children play pantomime while adults sing for them, creating anauditory and visual illusion; furthermore, the musical dramaturgy calls upon the cultural memory of thespectators to make the show work. Child actors, illusion and musical effects: this theater is a niceillustration of the strong links that unite spectacle and ludism during the Enlightenment.
dc.language.isofr
dc.publisherAssociation roumaine des départements universitaires francophones (ARDUF) ; EJ Junimea (Iași, Roumanie) [2009-....]
dc.titleLes dispositifs ludiques dans les théâtres d᾿enfants à la fin du XVIIIe siècle : le cas du Théâtre des Beaujolais au Palais Royal
dc.typeArticle de revue
dc.subject.halSciences de l'Homme et Société/Musique, musicologie et arts de la scène
dc.subject.halSciences de l'Homme et Société/Histoire
bordeaux.journalRevue roumaine d’études francophones
bordeaux.journalRevue roumaine d’études francophones
bordeaux.page43-58
bordeaux.issue13
bordeaux.peerReviewedoui
hal.identifierhal-04009267
hal.version1
hal.popularnon
hal.audienceInternationale
hal.origin.linkhttps://hal.archives-ouvertes.fr//hal-04009267v1
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