hal.structure.identifier	Cultures et Littératures des Mondes Anglophones [CLIMAS]
dc.contributor.author	SARDIN, Pascale
dc.date.issued	2015
dc.identifier.issn	0752-5494
dc.language.iso	en
dc.publisher	RADAC (Recherche sur les Arts Dramatiques Anglophones Contemporains)
dc.title.en	On the experience of vulnerability in British drama today–from Sarah Kane's Blasted (1995) to Polly Stenham's That Face (2007)
dc.type	Article de revue
dc.subject.hal	Sciences de l'Homme et Société
bordeaux.journal	Coup de théâtre
bordeaux.page	95-106
bordeaux.issue	29
bordeaux.peerReviewed	oui
hal.identifier	hal-02520410
hal.version	1
hal.origin.link	https://hal.archives-ouvertes.fr//hal-02520410v1
bordeaux.COinS	ctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Coup%20de%20th%C3%A9%C3%A2tre&rft.date=2015&rft.issue=29&rft.spage=95-106&rft.epage=95-106&rft.eissn=0752-5494&rft.issn=0752-5494&rft.au=SARDIN,%20Pascale&rft.genre=article

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On the experience of vulnerability in British drama today–from Sarah Kane's Blasted (1995) to Polly Stenham's That Face (2007)