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Integrating Augmented Reality to Enhance Expression, Interaction & Collaboration in Live Performances: a Ballet Dance Case Study

dc.rights.licenseopenen_US
hal.structure.identifierESTIA INSTITUTE OF TECHNOLOGY
dc.contributor.authorCLAY, Alexis
dc.contributor.authorDOMENGER, Gaël
hal.structure.identifierESTIA INSTITUTE OF TECHNOLOGY
dc.contributor.authorCONAN, Julien
dc.contributor.authorDOMENGER, Axel
hal.structure.identifierLaboratoire Bordelais de Recherche en Informatique [LaBRI]
hal.structure.identifierESTIA INSTITUTE OF TECHNOLOGY
dc.contributor.authorCOUTURE, Nadine
ORCID: 0000-0001-7959-5227
IDREF: 111534275
dc.date.accessioned2024-11-29T11:07:49Z
dc.date.available2024-11-29T11:07:49Z
dc.date.issued2014-09
dc.date.conference2014-09-10
dc.identifier.urihttps://oskar-bordeaux.fr/handle/20.500.12278/203559
dc.description.abstractEnThe democratization of high-end, affordable and off-the-shelf sensors and displays triggered an explosion in the exploration of interaction and projection in arts. Although mostly witnessed in interactive artistic installations (e.g. museums and exhibitions), performing arts also explore such technologies, using interaction and augmented reality as part of the performance. Such works often emerge from collaborations between artists and scientists. Despite being antonymic in appearance, we advocate that both fields can greatly benefit from this type of collaboration. Since 2006 the authors of this paper (from a research laboratory and a national ballet company) have collaborated on augmenting a ballet performance using a dancer's movements for interaction. We focus on large productions using high-end motion capture and projection systems to allow dancers to interact with virtual elements on an augmented stage in front of several hundred people. To achieve this, we introduce an `augmented reality engineer', whose role is to design the augmented reality systems and interactions according to a show's aesthetic and choreographic message, and to control them during the performance alongside light and sound technicians. Our last production: Debussy3.0 is an augmented ballet based on La Mer by Claude Debussy, featuring body interactions by one of the dancers and backstage interactions by the augmented reality engineer. For the first time, we explored 3D stereoscopy as a display technique for augmented reality and interaction in realtime on stage. The show was presented at Biarritz Casino in December 2013 in front of around 700 people. In this paper, we present the Debussy3.0 augmented ballet both as a result of the use of augmented reality in performing arts and as a guiding thread to provide feedback on arts-science collaboration. First, we will describe how the ballet was constructed aesthetically, technically and in its choreography. We will discuss and provide feedb- ck on the use of motion capture and stereoscopy techniques in a live show and will then broaden the scope of discussion, providing feedback on art-science collaboration, the traps and benefits for both parties, and the positive repercussions it can bring to a laboratory when working on industrial projects.
dc.language.isoENen_US
dc.publisherIEEEen_US
dc.title.enIntegrating Augmented Reality to Enhance Expression, Interaction & Collaboration in Live Performances: a Ballet Dance Case Study
dc.typeCommunication dans un congrèsen_US
dc.identifier.doi10.1109/ISMAR-AMH.2014.6935434en_US
dc.subject.halInformatique [cs]/Interface homme-machine [cs.HC]en_US
bordeaux.page21-29en_US
bordeaux.hal.laboratoriesESTIA - Rechercheen_US
bordeaux.institutionUniversité de Bordeauxen_US
bordeaux.conference.titleIEEE International Symposium on Mixed and Augmented Reality (ISMAR-2014)en_US
bordeaux.countrydeen_US
bordeaux.title.proceedingMixed and Augmented Reality - Media, Art, Social Science, Humanities and Design (IMSAR-MASH'D), 2014 IEEE International Symposium onen_US
bordeaux.conference.cityMunichen_US
bordeaux.import.sourcehal
hal.identifierhal-01095961
hal.version1
hal.invitednonen_US
hal.proceedingsouien_US
hal.conference.end2014-09-12
hal.popularnonen_US
hal.audienceInternationaleen_US
hal.exportfalse
workflow.import.sourcehal
dc.rights.ccPas de Licence CCen_US
bordeaux.COinSctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.date=2014-09&rft.spage=21-29&rft.epage=21-29&rft.au=CLAY,%20Alexis&DOMENGER,%20Ga%C3%ABl&CONAN,%20Julien&DOMENGER,%20Axel&COUTURE,%20Nadine&rft.genre=unknown


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