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hal.structure.identifierLes Afriques dans le monde [LAM]
hal.structure.identifierCentre de recherches internationales (Sciences Po, CNRS) [CERI]
dc.contributor.authorMARTIN, Denis-Constant
dc.date.issued1987
dc.identifier.issn0244-7827
dc.description.abstractEnSouth African music can be perceived as the aesthetical embodiment of a broader dream of cultural unity expressed in different representations and ideologies. History shows that it grew out of many contacts between South Africa’s different communities ; today’s musical forms blend characters borrowed from their cultural traditions. But, because of segregation and apartheid, South African popular music, in spite of its mixity, has acquired a «black» identity that leads supporters of the «white» powers to categorize its practitioners and fans alike as «pro-African» or «anti-apartheid». What is the most complete expression of the common history of South African peoples has therefore been put into the hands of the African majority which is, now, the only group liable to give it back to South Africa as a whole. In this particular respect, as in some others, music participates in the struggle for the liberation of South Africa.
dc.language.isofr
dc.publisherKarthala
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/
dc.subjectAfrique du Sud
dc.subjectmusique
dc.subjectapartheid
dc.titleLe triolet multicolore : dans la musique sud-africaine, une blanche n'égale pas nécessairement deux noires...
dc.typeArticle de revue
dc.subject.halSciences de l'Homme et Société/Musique, musicologie et arts de la scène
dc.subject.halSciences de l'Homme et Société/Science politique
bordeaux.journalPolitique africaine
bordeaux.page74-81
bordeaux.issue25
bordeaux.peerReviewedoui
hal.identifierhalshs-03849003
hal.version1
hal.popularnon
hal.audienceInternationale
hal.origin.linkhttps://hal.archives-ouvertes.fr//halshs-03849003v1
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