Recherche
-
In the Country of Lost Borders : New Critical Essays on My Antonia
(Presses Universitaires de Paris Nanterre, 2017)Ouvrage -
Thy Truth Then Be Thy Dowry: Questions of Inheritance in American Women’s Literature
(Cambridge Scholars Publishing, 2014)Ouvrage -
Metta Fuller Victor’s Visual Poetics in The Dead Letter and The Figure Eight: From ‘The Talking Oak’ to ‘The Lady of Shalott’
(Routledge, 2019)Chapitre d'ouvrage -
« La Nouvelle-Orléans, miroir des angoisses de l’Amérique ? The Not Yet, roman dystopique de Moira Crone »
(E-rea - Revue électronique d’études sur le monde anglophone. vol. 14, n° 1, 2016)Article de revue -
Of Women, Wine and Salt : Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
(European journal of American studies. vol. 14, n° 3, 2019)Article de revue -
Nebraska, France, Bohemia: ‘What a Little Circle Man’s Experience Is’
(Willa Cather Review. vol. 60, n° 3, pp. 10, 2018)Article de revue -
Every Artist Makes Himself Born’: the George Sand Connection in Willa Cather’s Early Novels
(Academic Press, 2009)Chapitre d'ouvrage -
“‘Costume de ghost’: Liminality in Grace King’s Balcony Stories"
(Palgrave Macmillan, 2018)Chapitre d'ouvrage -
Grace King’s Apocalyptic Fiction : Lifting the Veil From ‘The Story of a Day
(Routledge, 2019)Chapitre d'ouvrage -
“Here I Am, Washing my Heritage”: Unlawful Inheritance in Carmen Tafolla's Works
(Cambridge Scholars Publishing, 2014)Chapitre d'ouvrage