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hal.structure.identifierLam
dc.contributor.authorGARY-TOUNKARA, Daouda
dc.date.created2013-06-28
dc.date.conference2013-06-27
dc.description.abstractEnIn the early 1960s, in a context where the Malian youth remains very mobile against the will of the new state, the musical production of Kar Kar highlights the stark contrast between the popular success of the singer and his speech on the status quo. Furthermore, the reappropriation of Bamana repertoire and "modern" musical forms (yeye, jazz, rock), this success is due to a speech simultaneously rewarding faith in the future of the country and the old social and family values​​, and revisited. From the analysis of a corpus of songs of Kar Kar whose career will be highlighted and colonial and post-colonial archives, the aim of this paper is to analyze the Bamana vocabulary of migration over the years 1960 and discuss inheritance in current perceptions Mali.
dc.language.isoen
dc.subjectHistoire contemporaine
dc.subjectAnthropologie culturelle
dc.subjectMusique
dc.subjectMigration
dc.subjectBamana
dc.subjectMali
dc.subjectAfrique
dc.subject.enContemporary history
dc.subject.enCultural anthropology
dc.subject.enMusic
dc.subject.enAfrica
dc.typeCommunication dans un congrès
dc.subject.halSciences de l'Homme et Société/Science politique
dc.subject.halSciences de l'Homme et Société/Histoire
dc.subject.halSciences de l'Homme et Société/Sociologie
bordeaux.countryPT
bordeaux.conference.cityLisbonne
bordeaux.peerReviewedoui
hal.identifierhalshs-00907978
hal.version1
hal.invitednon
hal.proceedingsnon
hal.conference.end2013-06-29
hal.popularnon
hal.audienceNon spécifiée
hal.origin.linkhttps://hal.archives-ouvertes.fr//halshs-00907978v1
bordeaux.COinSctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.au=GARY-TOUNKARA,%20Daouda&rft.genre=unknown


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