Listar Archéosciences Bordeaux - UMR 6034 por disciplina "Chimie"

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Listar Archéosciences Bordeaux - UMR 6034 por disciplina "Chimie"

Couleurs minérales et végétales.Matérialité, technicité, apparence. Développements méthodologiques en archéométrie.

Le cas des méthodes paléodosimétriques

Matières premières en Europe au 1<sup>er</sup> Millénaire av. n. è. Exploitation, transformation, diffusion. Actes du 45<sup>e</sup> colloque international de l’AFEAF

Pourquoi la sculpture médiévale était-elle peinte ? À propos des polychromies de la porte des Flèches, du portail Royal et des albâtres anglais de Saint-André

Technological and stylistic characteristics of Chupicuaro ceramic wares (Formative Mesoamerica)

Insights into the Chupicuaro ceramic production during the Formative Period in Mesoamerica

Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir”

A blue can concel another! Non-invasive analyses of indigo mixtures used in Japanese Ukiyo-e prints

Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir”

Investigating the materials used in eighteenth-century tapestries from the three French Royal Manufactories: inputs of hyperspectral approaches

Analysis of Artworks by Handheld Spectrofluorimeter (LEDμSF)

Publishing and Long-Term Archiving 3D Data in Humanities

Ultra-trace isotope imaging by fsLA SF-ICP-MS: a new approach for U-series dating of archaeological biominerals

Some recent advances in LA-ICP-MS at the beginning of the image century

Listar Archéosciences Bordeaux - UMR 6034 por disciplina "Chimie"

Couleurs minérales et végétales.Matérialité, technicité, apparence. Développements méthodologiques en archéométrie. ﻿

Le cas des méthodes paléodosimétriques ﻿

Matières premières en Europe au 1<sup>er</sup> Millénaire av. n. è. Exploitation, transformation, diffusion. Actes du 45<sup>e</sup> colloque international de l’AFEAF ﻿

Pourquoi la sculpture médiévale était-elle peinte ? À propos des polychromies de la porte des Flèches, du portail Royal et des albâtres anglais de Saint-André ﻿

Technological and stylistic characteristics of Chupicuaro ceramic wares (Formative Mesoamerica) ﻿

Insights into the Chupicuaro ceramic production during the Formative Period in Mesoamerica ﻿

Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir” ﻿

A blue can concel another! Non-invasive analyses of indigo mixtures used in Japanese Ukiyo-e prints ﻿

Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir” ﻿

Investigating the materials used in eighteenth-century tapestries from the three French Royal Manufactories: inputs of hyperspectral approaches ﻿

Analysis of Artworks by Handheld Spectrofluorimeter (LEDμSF) ﻿

Publishing and Long-Term Archiving 3D Data in Humanities ﻿

Ultra-trace isotope imaging by fsLA SF-ICP-MS: a new approach for U-series dating of archaeological biominerals ﻿

Some recent advances in LA-ICP-MS at the beginning of the image century ﻿

Couleurs minérales et végétales.Matérialité, technicité, apparence. Développements méthodologiques en archéométrie.

Le cas des méthodes paléodosimétriques

Matières premières en Europe au 1<sup>er</sup> Millénaire av. n. è. Exploitation, transformation, diffusion. Actes du 45<sup>e</sup> colloque international de l’AFEAF

Pourquoi la sculpture médiévale était-elle peinte ? À propos des polychromies de la porte des Flèches, du portail Royal et des albâtres anglais de Saint-André

Technological and stylistic characteristics of Chupicuaro ceramic wares (Formative Mesoamerica)

Insights into the Chupicuaro ceramic production during the Formative Period in Mesoamerica

Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir”

A blue can concel another! Non-invasive analyses of indigo mixtures used in Japanese Ukiyo-e prints

Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir”

Investigating the materials used in eighteenth-century tapestries from the three French Royal Manufactories: inputs of hyperspectral approaches

Analysis of Artworks by Handheld Spectrofluorimeter (LEDμSF)

Publishing and Long-Term Archiving 3D Data in Humanities

Ultra-trace isotope imaging by fsLA SF-ICP-MS: a new approach for U-series dating of archaeological biominerals

Some recent advances in LA-ICP-MS at the beginning of the image century