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hal.structure.identifierCultures et Littératures des Mondes Anglophones [CLIMAS]
hal.structure.identifierLaboratoire Interdisciplinaire Récits, Cultures et Sociétés [LIRCES]
dc.contributor.authorLICARI-GUILLAUME, Isabelle
dc.date.issued2017-12-21
dc.identifier.issn2034-4643
dc.description.abstractEnThis article examines authorial performance in the context of DC’s Vertigo line. In the 1990s, Vertigo gained its reputation as an innovative and progressive imprint by promoting the work of British scriptwriters, who were hailed as true author figures, despite the inherently collaborative nature of the mainstream comics industry. In a manner reminiscent of “auteur theory”, writers such as Neil Gaiman, Warren Ellis or Grant Morrison developed attractive author personas which they consistently displayed through interviews, letter columns or social media, but also, more importantly, by inserting their avatars within the comics they scripted. Upon closer examination, however, it becomes clear that their work in fact simultaneously asserts and destabilizes writerly authority, in a manner that is consistent with Linda Hutcheon’s view of postmodernity. By multiplying author figures and playfully disseminating authority, Vertigo authors question their own authorial control over the text, asserting instead the crucial role played by the reader.
dc.language.isoen
dc.publisherAuthorship
dc.title.enAmbiguous Authorities: Vertigo and the Auteur Figure
dc.typeArticle de revue
dc.identifier.doi10.21825/aj.v6i2.7700
dc.subject.halSciences de l'Homme et Société
bordeaux.journalAuthorship
bordeaux.volume6
bordeaux.issue2
bordeaux.peerReviewedoui
hal.identifierhal-02168884
hal.version1
hal.popularnon
hal.audienceInternationale
hal.origin.linkhttps://hal.archives-ouvertes.fr//hal-02168884v1
bordeaux.COinSctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Authorship&rft.date=2017-12-21&rft.volume=6&rft.issue=2&rft.eissn=2034-4643&rft.issn=2034-4643&rft.au=LICARI-GUILLAUME,%20Isabelle&rft.genre=article


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