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hal.structure.identifierUniversity of Szeged [Szeged]
hal.structure.identifierPLURIELLES Langues, littératures, civilisation (UR 24142) [Plurielles]
dc.contributor.authorBARTHA-KOVÁCS, Katalin
dc.date.issued2020
dc.identifier.issn0862-8440
dc.description.abstractEnThe article focuses on the analysis of notions of reminiscence and nostalgia through the example of Claude Lorrain’s marine paintings. Unlike the Arcadian landscapes of his contemporary Nicolas Poussin, these often do not evoke concrete myths, but inspire less obvious reminiscences in the viewer. Lorrain’s paintings can be conceived therefore as allegories of nostalgia, a category that the article approaches with the help of that of Nothing. It aims to show that it is through the particular light effects that Lorrain’s landscapes and marine paintings suggest a sense of timeless and nostalgic reminiscences to the viewer.
dc.language.isofr
dc.publisherCharles University Prague
dc.subjectClaude Lorrain
dc.subjectmarine
dc.subjectlumière
dc.subjectréminiscence
dc.subjectRien
dc.subject.enClaude Lorrain
dc.subject.enmarine painting
dc.subject.enlight
dc.subject.enreminiscence
dc.subject.enNothing
dc.titleRéminiscences nostalgiques : la lumière et le Rien dans les marines de Claude Lorrain
dc.title.enNOSTALGIC REMINISCENCES: LIGHT AND NOTHING IN MARINE PAINTINGS BY CLAUDE LORRAIN
dc.typeArticle de revue
dc.identifier.doi10.14712/23366729.2020.3.1
dc.subject.halSciences de l'Homme et Société/Art et histoire de l'art
bordeaux.journalSvet Literatury
bordeaux.page13-22
bordeaux.peerReviewedoui
hal.identifierhal-03518047
hal.version1
hal.origin.linkhttps://hal.archives-ouvertes.fr//hal-03518047v1
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