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hal.structure.identifierInstitut des Mondes Africains [IMAF]
hal.structure.identifierÉcole des hautes études en sciences sociales [EHESS]
dc.contributor.authorFOUÉRÉ, Marie-Aude
dc.date.created2016
dc.date.issued2016
dc.identifier.issn0964-0282
dc.description.abstractEnThe Italian shock documentary Africa Addio contains a sequence about massacres that occurred during the Zanzibar revolution of 1964. Perceived by some of its Zanzibari viewers as a container of factual evidence of the brutality of this epochal event, this sequence is contested by others who assert that it was staged or re-enacted. One critical aspect of these oppositional views concerns the very status of this documentary and the trust that can be placed in it as an archival record. Whether Africa Addio is seen as authentic or fabricated, it provides Zanzibaris with a medium through which to revisit the past and rethink Zanzibari society in the present.
dc.language.isoen
dc.publisherBerghahn Journals (ex Wiley)
dc.subject.enrevolution of 1964
dc.subject.enZanzibar
dc.subject.enAfrica Addio
dc.subject.enarchive
dc.subject.endocumentary
dc.title.enFilm as archive: Africa Addio and the ambiguities of remembrance in contemporary Zanzibar
dc.typeArticle de revue
dc.identifier.doi10.1111/1469-8676.12282
dc.subject.halSciences de l'Homme et Société/Anthropologie sociale et ethnologie
bordeaux.journalSocial Anthropology / Anthropologie sociale
bordeaux.volume24
bordeaux.issue1
bordeaux.peerReviewedoui
hal.identifierhalshs-01404568
hal.version1
hal.popularnon
hal.audienceInternationale
hal.origin.linkhttps://hal.archives-ouvertes.fr//halshs-01404568v1
bordeaux.COinSctx_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.jtitle=Social%20Anthropology%20/%20Anthropologie%20sociale&rft.date=2016&rft.volume=24&rft.issue=1&rft.eissn=0964-0282&rft.issn=0964-0282&rft.au=FOU%C3%89R%C3%89,%20Marie-Aude&rft.genre=article


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