Reality Bites Back: Adjusting Reception and Suspending Disbelief in John Carpenter’s In the Mouth of Madness (1994)
Language
en
Chapitre d'ouvrage
This item was published in
Approaches to Film and Reception Theories / Cinéma et théories de la reception. 2012p. 150--160
Presses de l’Université Blaise Pascal
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English Keywords
Arts visuels
Origin
Hal imported