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hal.structure.identifierCultures et Littératures des Mondes Anglophones [CLIMAS]
dc.contributor.authorLABARRE, Nicolas
dc.date.issued2021-01-14
dc.identifier.issn2492-0983
dc.description.abstractEnDC Comics’ Vertigo imprint (1993-2019) has generated a significant amount of fan and scholarly interest, and has come to serve as a shorthand for a variety of distinct writing and publishing practices, including an engagement with popular genres from a literary and political prism, the articulation of serial publication and trade collections, and the coexistence of creator-owned with publisher-controlled series. This paper attempts to locate the label diachronically and synchronically, so as to take a more precise measure of its innovations. To do so, it examines a number of publishing institutions that developed alongside Vertigo or as a reaction to the label’s success – in particular Dark Horse Comics, but also DC’s own short-lived Helix label and Wildstorm studio– and argue that they shared a comparable publishing agenda during the 1990s. The texts seeks to reconstruct the complex ecosystem of which Vertigo was but a part, and argues that the imprint’s critical fortune should be understood also in light of these competing endeavors, helped Vertigo hone its identity, and helped the trends it introduced reach a necessary critical mass.
dc.language.isoen
dc.publisherCLIMAS - Université Bordeaux Montaigne.
dc.subject.encomics
dc.subject.enpublishing
dc.subject.enindependent
dc.subject.enintertextuality
dc.subject.enVertigo
dc.title.enVertigo outside Vertigo
dc.typeArticle de revue
dc.subject.halSciences de l'Homme et Société/Sciences de l'information et de la communication
dc.subject.halSciences de l'Homme et Société/Art et histoire de l'art
bordeaux.journalLeaves
bordeaux.page63-76
bordeaux.volume11
bordeaux.peerReviewedoui
hal.identifierhal-03111818
hal.version1
hal.origin.linkhttps://hal.archives-ouvertes.fr//hal-03111818v1
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