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<title>CLIMAS : Cultures et Littératures des Mondes Anglophones - EA 4196</title>
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<subtitle/>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/14</id>
<updated>2026-04-16T09:41:18Z</updated>
<dc:date>2026-04-16T09:41:18Z</dc:date>
<entry>
<title>A Response to “Katrina Trask: The Gilded Age of Philanthropy,” by Khristeena Lute</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188949" rel="alternate"/>
<author>
<name>DURRANS, Stéphanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188949</id>
<updated>2024-03-25T03:03:12Z</updated>
<published>2023-09-15T00:00:00Z</published>
<summary type="text">DURRANS, Stéphanie
</summary>
<dc:date>2023-09-15T00:00:00Z</dc:date>
</entry>
<entry>
<title>“Mary Wilkins Freeman’s ‘House of Rumor’: Voices, Sounds, and Cries in Understudies”</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188947" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188947</id>
<updated>2024-03-25T03:03:10Z</updated>
<summary type="text">DURRANS, Stephanie
</summary>
</entry>
<entry>
<title>“Willa Cather and Elia Peattie: A Problematic Filiation?”</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188948" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188948</id>
<updated>2024-03-25T03:03:11Z</updated>
<summary type="text">DURRANS, Stephanie
</summary>
</entry>
<entry>
<title>« Voix d’outre-tombe dans la littérature féminine américaine du XIXe siècle : ‘The Amber Gods’ (Harriet Prescott Spofford), ‘Number 13’ (Elizabeth Stuart Phelps) et ‘One of Us’ (Grace Elizabeth King) »</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188946" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188946</id>
<updated>2024-03-25T03:03:10Z</updated>
<summary type="text">DURRANS, Stephanie
</summary>
</entry>
<entry>
<title>« ‘Ils vont voir des différences, mais quand même c’est du français’ : poésie et hospitalité de la langue dans L’École Gombo de Kirby Jambon »</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188945" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188945</id>
<updated>2024-03-25T03:03:09Z</updated>
<summary type="text">DURRANS, Stephanie
</summary>
</entry>
<entry>
<title>“Laura E. Richards’s Twice-told Tales: From Captain January (1890) to Snow White; or, the House in the Wood (1900)”</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188944" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188944</id>
<updated>2024-03-25T03:03:08Z</updated>
<summary type="text">DURRANS, Stephanie
</summary>
</entry>
<entry>
<title>“The Mudwoman in the Academia: The Spectral Presence of Jane Eyre and Antoinette Cosway in Joyce Carol Oates’s Mudwoman”</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188943" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188943</id>
<updated>2024-03-25T03:03:07Z</updated>
<summary type="text">DURRANS, Stephanie
</summary>
</entry>
<entry>
<title>Carte de l'océan Indien balisé par Lord Jim (Conrad), Life and Times of Michael K (J.M. Coetzee), La Quarantaine et Voyage à Rodrigues (Le Clézio)</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/188323" rel="alternate"/>
<author>
<name>DO HUU, Cécile</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/188323</id>
<updated>2024-02-23T03:06:03Z</updated>
<published>2020-06-01T00:00:00Z</published>
<summary type="text">Carte de l'océan Indien balisé par Lord Jim (Conrad), Life and Times of Michael K (J.M. Coetzee), La Quarantaine et Voyage à Rodrigues (Le Clézio)
DO HUU, Cécile
</summary>
<dc:date>2020-06-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Sounds Victorian: Acoustic Experience in 19th-Century Britain</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/187750" rel="alternate"/>
<author>
<name>BOUVARD, Luc</name>
</author>
<author>
<name>LAURENT, Béatrice</name>
</author>
<author>
<name>KÉRCHY, Anna</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/187750</id>
<updated>2024-02-02T03:07:52Z</updated>
<published>2021-11-01T00:00:00Z</published>
<summary type="text">BOUVARD, Luc; LAURENT, Béatrice; KÉRCHY, Anna
</summary>
<dc:date>2021-11-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Elia Peattie and Willa Cather: Influence and Shared Vision</title>
<link href="https://oskar-bordeaux.fr/handle/20.500.12278/183437" rel="alternate"/>
<author>
<name>DURRANS, Stephanie</name>
</author>
<id>https://oskar-bordeaux.fr/handle/20.500.12278/183437</id>
<updated>2023-07-19T02:17:53Z</updated>
<published>2023-01-01T00:00:00Z</published>
<summary type="text">DURRANS, Stephanie
</summary>
<dc:date>2023-01-01T00:00:00Z</dc:date>
</entry>
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